INPPUT affirms itself as on experimental brand, where the creative and productive processes are part of the DNA that defines it. Design is(in)process. This first collection showcases how various materials con work in symbiosis with different production techniques, from the more traditional to the most technological. We work strategically with local industries with the purpose of making the most of the know-how gathered by master craftsmen over the years, and simultaneously melding this ancestral knowledge with the most recent technological production processes.
The design hos been thought out in a rational multifactorial and dynamic manner. From form to "form follows experience", the object's subjectivity, both in its essence and its use, is explored in detail. More than just designing objects, we plan sensory experiences on all their fullness. All of our products are proudly made in Portugal.
The Edge series explores the rational balance between form and function. The line as structure and the bordering element of shape.
A chair is a classic case-study, that over the years has accompanied the evolution of design theory and history.
A striking object that has defined the identity and ideologies of design brands.
In graphic computation, the concept of wireframe translates as a set of generator lines that define a three-dimensional surface. In this set, benches of different dimensions adjust to each function, living organisms that transform into flower pots, shelves, side tables, etc.
The Caustic Lamps are an excellent example of the brand’s philosophy. It is a high-tech/low-tech approach, where craftsman practices are mixed with technological processes.
In INPPUT’s first collection, the theme of light was approached from different angles: Caustics, translucence and shadows. The shadow lamps exploit the play between light and shadow.
The script lamps explore the aesthetics of generative algorithms associated to the world of mathematics, geometry and biomimetics.
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